Cinesite is still only actively recruiting in Vancouver at the moment. We are looking to fill several positions now and have also indicated which roles we will be recruiting soon. Applications for London and Montreal will remain open via our website for the vacancies listed below - these applications will be kept for review at a later date. Stay safe and healthy, Cinesite's recruitment team
We’re so proud to partner with Cinzia Angelini to help her & all of the 350 volunteer artists across 35 countries to complete MILA, an incredible 3D short that raises awareness about children impacted by war. http://glassdoor.com/slink.htm?key=vM0fU
Newly discovered 'Avengers: Endgame' cameo revealed in Cinesite's VFX breakdown http://glassdoor.com/slink.htm?key=vM0fH
Cinesite VFX has officially joined ACCESS: VFX a cross-company initiative promoting diversity and inclusion in the VFX industry. We believe it is important to be part of a community that puts people first and offers creative solutions, inventiveness and dialogues about diversity and tries to change mentalities around the VFX industry. Cinesite attended its very first meeting with some other VFX members. The group includes world renowned VFX studios, 7 industry institutions and 2 government bodies. We are looking forward to working with such an amazing team who are taking action and challenging both our creative community and educational establishments. For details of upcoming events and opportunities please visit http://glassdoor.com/slink.htm?key=vMXZd
Caroline Garrett, Head of VFX in London speaks to Ian Failes about our studio’s inner workings in this exclusive VFX Voice profile. “VFX has truly become a global industry now and London remains an intrinsic part of that, with many of the best creative talent still drawn to this city,” she says. “Almost every production now has VFX in it, whether invisible like The Revenant or front and center like our work on Avengers: Infinity War.” The VFX industry has also matured, becoming an integral part of the production process rather than the weird new kid that insists on painting everything green,” adds Garrett. “Also, the increased access to film and series through the on-demand services only helps to drive the need for more content, and as a result we’re seeing tremendous growth in the VFX market across the globe.” Read the full interview with Caroline at VFX Voice - http://glassdoor.com/slink.htm?key=vMXZv
We wanted to share a behind the scenes clip featuring some of our team talking about their experience working with director Timothy Reckart. They discuss the challenges they faced when rigging and animating a lot of animal characters within a tight schedule and the first collaboration between Sony Pictures Animation and Cinesite. The Star ushered in a new phrase of growth for our studio with new people, new tools and new techniques all coming together to deliver an animated retelling of the nativity story from the point of view of the stable animals - http://glassdoor.com/slink.htm?key=vQ7C8
Swag day is a glorious day indeed!! Thanks to our clients at Sony Pictures Animation for these great 'THE STAR' crew t-shirts.
Find out more about what it’s like to live in Montreal and work at Cinesite - http://glassdoor.com/slink.htm?key=vQYPR