Don't join here thinking you'll be joining a digital agency as you probably know it
Pros
- Fuzzy start times - Central location - Trip to Paris for Christmas - Possibility of some award-winning projects -------- A major pro to working here is that the company, very cleverly, invest lots of time and money in securing (or procuring) awards for the projects they work on. As such, this is seemingly a very successful agency and you, yourself, may find yourself on the receiving-end of an award. But don't be fooled, these awards are essentially paid for and in no way a reflection on the boring work you'll be subjected too.
Cons
- Low pay - Poorly defined job roles - Lack of creativity - Baffling and inept leadership - One talented colleague to every 3 rubbish ones - The most megalomaniacal CEO you'll encounter in your life ------- It's absolutely on point that the company does not invest in talented staff, rather looks instead to hire low-paid graduates to fulfill senior roles. Almost every employee is tested within weeks of their arrival with a challenging task; it's almost company policy to fire individuals who do not immediately get up to speed. The average salary for this agency is, undoubtedly, embarrassingly below industry norms. If you're from an agency background, you'll find this agency doesn't function anything like a 'proper' agency at all. It essentially has one account; Skoda. Yet even the work on this is compromised by a strict framework which prevents true creativity. The rest of the business is made up of turgid, unexciting Government projects, charity sites and a hodgepodge of niche digital projects that no serious digital agency would ever consider touching; things like intranets for large organisations or £10k research pieces. Many of the senior staff and management you'll encounter have never worked at a 'proper' agency before. Don't expect to meet people in lofty positions who inspire you in pitches. Your only interactions with these people will be if you get fired, or if you're promoted to a leadership position yourself whereby you'll be answerable for your bottom line to people who barely have the technical know-how to fill in a spreadsheet. The organisation is the least creative and dynamic environment in the sector. Reading Room survived about a year and a half without a Creative Director. Don't expect to be working on exciting projects or accounts. Lastly, the CEO is a maniac. Cross her and you're finished. If you want to progress, keep her onside and don't rock the boat. But most importantly, keep that bottom line up and your head below the fire. Final word; the CEO is gearing up to sell in the next 18 months, hence the recent uplift in positive reviews on here; which were, sadly, as has been pointed out, the result of a forced management directive.